Spring Fever, 1991
Oil on Canvas, 45 x 60

 

Spring Fever depicts a Flemish clarity in its slightly flattened perspective and its porcelain detail. We are as surprised as the boy running along the cliff at the spectacle of a nude woman treed by frenzied hounds. Yet she is replete and calm, gazing directly out and appearing very much in control of what at first seems the end of a tumultuous chase scene. Since the dogs are often symbolic of the masculine, is Maddox suggesting that the aim of hunters of the male predator in particular, is to ultimately corner and transfix the feminine? Or is the woman, mischievous and alluring, taunting her would - be captors?

 

The Admonition twists this theme, portraying the puritanical domination of one woman over another. Breugelesque corn against a grey and ominous sky gorgeously frames the encounter. The girl on the right is clearly more one with the corn; the tones of her face and hands blend in more surely. The stern admonisher is much older, and with her white blouse, clean gloves and heavy book has an official decorum, though their dark coats connect the two socially. She pulls her hat down, concealing her eyes whilst the girl turns to meet ours with a wary glance. The lush gold of nature that so informs the young woman's corporeal being is the alchemical symbol for wholeness. The elder's separateness and absorption into a cultural hierarchy denies her this wholeness.

The Admonition, 1990
Oil on Canvas, 43 x 57

 

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